Home > Books > Nonfiction > No Ship Sets Out To Be A Shipwreck
No Ship Sets Out To Be A Shipwreck
Release date: September 24, 2024
Available on:
104 Pages |
ISBN-13: 978-1-958094-53-2
With worldwide distribution through Ingram

From the author of the National Book Award finalist The Suicide Index – hailed by the Los Angeles Times as “an extraordinary magical mystery tour of a book” – comes a startlingly original exploration of the unpredictability of fate and the mystery of our own mortality.

No Ship Sets Out To Be A Shipwreck is a poetic and philosophical meditation ignited by a beautiful, frightening, mysterious object: the seventeenth-century Swedish warship Vasa, which sank only minutes into its maiden voyage and lay forgotten underwater until it was found and raised more than three hundred years later.

Beginning with Joan Wickersham’s first sight of the ship in its Stockholm museum, her pieces – intimate, irreverent, urgent – weave together Vasa’s story and the associations it evokes. She addresses the shipbuilders, the divers and restorers, the men and women who drowned in the wreck and the objects they left behind: shoes and cooking pots, game boards and bones. She interrogates the wind that capsized the ship and the shipworms that failed to eat the wreck. Constantly rising up are the lingering echoes of her father’s suicide; memories of her mother’s final illness and death; and the paradoxical presence of the ship itself – an emblem of death and rebirth, a monumental failure whose flaws made it an enduring success, a vessel both destroyed and preserved by catastrophe.

No Ship Sets Out To Be A Shipwreck is a contemplative, strange, passionate, funny, and haunting book that both is and isn’t about the ship – a personal yet universal reckoning with mortality, and the question of what vanishes and what endures.

Cover photograph by Adam Davies. To see more of his work, visit adamdavies.xyz.

Reviews & accolades
An utterly sui generis work . . . Were this just the account of the retrieval of the ship-become-fantastic-reliquary, it would be a compelling documentary. That the outer narrative is propelled by the force of Wickersham’s compulsion makes it riveting . . . a tour de force.
— Sven Birkerts, AGNI
A haunted, haunting exploration of the nothings and somethings pulled from the deep . . . there are strange and simple truths here.
— Nina MacLaughlin, Boston Globe
Even after reading Joan Wickersham's extraordinary work in the past, I was staggered by this book. I’ve never read anything like it. It’s miraculous, unique and profound.
— André Gregory, co-author of My Dinner with André
A slim volume that contains multitudes . . . Using the compelling saga of the Vasa as a vessel to vividly explore what lies in the hinterlands of human experience and memory, Wickersham offers a contemplative look at what can be lost, what is salvageable, and how we endure despite it all.
— Tania Malik, Brooklyn Rail
You may think you don't want to read a book about visiting a 17th-century shipwreck in a museum in Stockholm. That's exactly how Joan Wickersham felt about going to this museum in the first place. Then she became obsessed, and went back many times, and wrote this stunning book: about her own losses, about the reliquary impulse, about shipworms and skulls and widows, and no, you probably won't be able to read it just once. Maybe you have encountered something like this before but I have not.
— Marion Winik, author of The Big Book of the Dead
Compelling . . . Wickersham skillfully twists and turns between temporalities and matters of fact to matters of feeling that remain unresolved . . . Famously lost, famously found, and yet the way Wickersham explores it, the Vasa feels so current and personal, it remains unexplored terrain . . . She comes off as both deeply reflective and also relatable, even darkly funny.
— Jessica Walthew, Journal of the American Institute for Conservation
In this slim nonfiction/poetry hybrid, Wickersham meditates on a Swedish warship named Vasa, so freighted with cannons and fancy carvings in honor of the king that it sank only minutes after leaving the dock in 1682, taking 30 lives with it. After Wickersham saw the salvaged Vasa on display in Stockholm, she crafted her book around this monument to nation and hubris.
The Millions
This is a book that asks big questions about how much—of a life, of a ship, of a memory—can actually be preserved, and what is lost or changed in any act of recovery.
Full Stop
This is one exquisite book . . . This mix of essay and poetry heralds her trademark playfulness with structure and beauty of line.
— Kelly McMasters, author of The Leaving Season
Joan Wickersham uses the 1956 discovery of the fatal wreckage of a Swedish ship, the Vasa . . . as the starting point for an inventive consideration of all deaths . . . A matter-of-fact voice of gripping control and authority.
— Walter Cummins, California Review of Books
Joan Wickersham

Joan Wickersham is the author of The News from Spain and The Suicide Index, a National Book Award Finalist.

Her fiction and poetry have appeared in magazines including Agni, One Story, Poetry, Kenyon Review, Boulevard, Glimmer Train, The Hudson Review, New England Review, Ploughshares, and Story, and her work has been published in The Best American Short Stories and The Best American Nonrequired Reading. For the past fifteen years her op-ed column has run regularly in The Boston Globe. She has published essays and reviews in The Los Angeles Times and The International Herald Tribune and has read her work on National Public Radio’s “On Point” and “Morning Edition.”

Wickersham has received the Ploughshares Cohen Award for Best Short Story and has been awarded grants by the National Endowment for the Arts, The American-Scandinavian Foundation, The Massachusetts Cultural Council, MacDowell, and Yaddo. She has taught at Harvard, Emerson, the University of Massachusetts (Boston), and the Bennington Writing Seminars. She graduated from Yale with a degree in art history and lives in Cambridge, Massachusetts.

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